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Using live writing to create short stories

Thoughts on writing short stories

When I wrote my short story collection, I mainly used a technique that I call ‘live writing’. Sometimes it’s called ‘writing in situ’ or ‘writing on location’. I started writing the stories in the collection fifteen years back, so the technique evolved over time, but essentially, I went to a particular place to write. I usually did this longhand in a notebook. Sometimes I spent the day writing a first draft of a story, on other occasions I got some ideas down and wrote the story at home – this depended on the environment itself. I wrote the second and subsequent drafts at home, referring to images of the places I had visited. I’ve included some of those images in this post.

A patch of nettles: where it all started

I started using this technique at Totleigh Barton, the Arvon centre in Devon, when the tutors asked us to watch something outside for 45 minutes. This was a revelation to me aged 19 as I had never watched anything for that long, and hadn’t meditated or anything similar. I realised how much detail you get involved in if you watch something for an extended period of time.

At Arvon we were simply watching – not writing. I watched a patch of nettles and I wrote afterwards. I began to understand that there was something about being in the environment itself that helped me to write. It wasn’t only the observation, it was also being immersed in the experience of being there.


The natural world

Most of the stories I wrote using ‘live writing’ were created in towns and cities and weren’t – like my Arvon experience – about being thoroughly immersed in the natural world. However, nature does play a big part and I found that trees in particular were an unintentional theme throughout the collection.

In fact, unintentionally, most of my live writing excursions involved finding the natural world in an urban environment. I wrote at the Garden Museum in Lambeth, the College Garden at Westminster Abbey, in Chiswick House and Gardens, and in Kensington Gardens for instance.

Read – or listen – to the story I wrote in Kensington Gardens, called ‘The Swim’.



I had a few guide books to help me find my way to quirky locations in London. The stories aren’t all set in London, but it was where I was living when I started. I began writing my short stories this way a while back (in the early 2000s) – and there seem to be several more books about hidden or secret or unusual London now. Try searching with those key words and you’ll see what I mean! I also found sites such as London Walks very useful.

Chiswich house and gardens

Unusual Connections

I find I tend to make unusual connections between stories when I used ‘live writing’. For example, one character – someone whose face had been disfigured – came across very strongly and I realised that they were appearing in several of the stories, including ‘The Swim’. I turned this into one long short story called ‘Unusual Places.’

London cafe

Four rules & several cafes

I had a few friendly rules which helped me to choose places to go and write:

  1. The place had to be free to get into. (I only deviated from this once – at the Garden Museum in Lambeth.)
  2. The place had to have something unusual, secret, hidden or quirky about it.
  3. The place had to have access to tea and shelter from the rain.
  4. There had to be somewhere to write – at least a bench, for instance.

This meant that I ended up writing in a lot of cafés, so cafés feature in the story somewhat. All of these are fictionalised. My favourite was the café in Red Ruth in Cornwall, with its cosy atmosphere and open fire place, which I think has since closed, and formed the basis of the story ‘Red Roof’ – of every fictional place I invented, I wish Red Roof was a real place!

Redruth sunset

Adventures by train

Once the collection was finished (it came out in 2018) I carried on using the technique to write when I could, lockdown allowing. For example, on a trip to the Cumbrian coast where I wrote on the train. I find it very useful to write on a journey or an ‘adventure’ and to go somewhere I have never been before. I see this as a development of the live writing technique. I prefer to write short stories this way, rather than writing at my desk, as long as I’ve got a bit of space around me.

Cumbria beach

More soon. Until then, happy writing,

Lou xx

You can buy Unusual Places from the Cultured Llama website, as a paperback or ebook.

View all six posts on writing, place and short stories from 2018 here.

A version of this post first appeared on the Open University Creative Writing blog in March 2018.

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